Don Felder has
joined forces with Styx (@STYXtheband) singer/guitarist Tommy Shaw for
the second single, “Wash Away” from Felder’s second solo album (and
first since 1983), Road To Forever, released October 9, 2012 on Rocket Science Ventures.
The song, which hit radio airwaves today, was co-written by Felder and Shaw, and features Shaw’s signature vocal sound.
The singer/guitarist/songwriter/New York Times best-selling author/four-time Grammy® Award winner’s critically-acclaimed Road to Forever
debuted on Billboard’s “Heatseekers” chart at #27. “Girls In Black,”
the album’s first single, reached the Top 30 on the Mediabase Rock
chart.
Speaking with Sterling Whitaker at Ultimateclassirock.com about the
track, “there were a couple of songs on the album, including ‘Wash
Away,’ that I had built the track pretty much top to bottom and there
was a couple of areas where I needed some lyrical help and I said, ‘I’ll
just see if Tommy [Shaw] is in town. I’ll just have him come over and
listen to this and see if anything bounces off of him.’ He listened to
it and loved it and we sat and wrote lyrics together that day for that
song. And then he came back the next day and I said, ‘Well, you’ve got
to sing some of these parts while you’re here,’ because he was getting
ready to go back out on the road with Styx. So we set up a mic in my
studio and he sang some of the harmonies on a couple of songs, ‘Wash
Away’ and ‘Heal Me.’”
As Tommy Shaw continues, “The best songs to write are the ones that
just roll out of you and you look back and wonder, ‘Where’d that come
from?’ That’s what it was like working with Don. There was a natural
chemistry there.”
Many of Felder’s fans tuned in to Showtime earlier this month for the
premiere of the two-part documentary, “History of the Eagles.” He
spoke with Billboard.com’s Gary Graff soon after it aired, saying he
thought it was a bit incomplete.
“Overall I thought it was OK, but I didn’t think it was really an
accurate documentary…I thought a lot was omitted from the documentary.
There were a lot of things that weren’t discussed, a lot of issues that
aren’t brought to the forefront. It glorified [Don] Henley and [Glenn]
Frey’s work, giving very little credit to all the other people who had
worked so hard on the recordings — including Bernie [Leadon], Randy
[Meisner], myself, the other things people brought to the table like
[producer] Bill Szymczyk. It was a large team of a lot of people
working together to make it happen, and I don’t think that’s really
reflected in there.”
As for the depiction of his dismissal in part two, Felder says he was
surprised by “the anger that was displayed, and the bitterness,
especially from Glenn. It really left me taken aback that he was still
so angry about all of that, and I couldn’t understand why, to tell the
truth. I’ve been way past it for about 10 years now.”
On a lighter note, he told Billboard.com: “I’d forgotten
how skinny I was, and I thought all of our hairstyles were…interesting,
Henley with his ‘fro and everything. It was just fun to look back at
those times.” And he is satisfied that the film captures the musical
essence of the Eagles. “Here’s a huge rock ‘n’ roll band on stage with
ripped jeans and plaid shirts, as far from the mega shows you see today
as you can get,” he says. ”You look back and realize that what came
across was nothing except five guys standing on stage, playing and
singing songs. That’s really what it was all about.”
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